Select a section:	Find Resources	Library Services	Research Assistance	Collections	About the Library

Violet Atkins Klein Papers, 1942-1967.

Finding Guide.  Edited by Tony Gardner, Curator

Processed by  Kathryn Cannarozzi, Archives Student Intern

Revised - June 1999

8.5 linear feet

Call  No. PS3561.L454 1942

• Provenance
• Scope & Contents Notes
• Related Special Collections And archives Research Collections
• Related Research Institutions
• Secondary Sources
• Content & Series Descriptions
• Box Listing
  • Series I. Stories, Film Ideas, Scripts.
  • Series II. Television Work.
  • Series III. Legal Documents and Contracts.
  • Series IV. The Treasury Star Parade.
  • Series V. Camel Caravan.
  • Series VI. The Camel Hour.
  • Series VII. The Lost Mail Bag.
• Oversize Manuscript Material
• Index to Important Subjects & Personalities.

Provenance

The Violet Atkins Klein Papers were donated to the University Library's Special Collections/Archives on January 14, 1999 by Ms. Klein's daughter, Jill Block. Ms. Klein was a published author of fiction as well as a writer for radio and television. The collection includes finished scripts, unproduced manuscripts, legal documents, correspondence, and research materials. Often, the documents include various drafts of a given work, illustrating the author's writing process. The collection was opened to researchers on December 1, 1999.

The collection is open to research without restrictions.

Scope & Contents Notes

The Violet Atkins Klein Papers document the professional writings of Violet Atkins Klein. Ms. Klein wrote novels and short fiction, as well as scripts for radio and television. The material in this collection reflects the writing process from research items through several drafts and variations. The legal materials illustrate the struggle to get a story published and to have script ideas produced. These items make this collection a good source of reference for a researcher interested in the difficulty writers, particularly women writers, experienced in the entertainment industry in the 1940s and 1950s.

The collection is divided into seven series, the first of which contains various drafts of manuscripts for film ideas, short fiction, novels, and scripts. Series II contains material that was written exclusively for television. In Series III, there is an assortment of legal papers and correspondence, which includes copies of contracts and agreements with both other writers and television studios. Series IV through VI contain scripts for different radio shows, respectively, The Treasury Star Parade, Camel Caravan, and The Camel Hour. The final series contains material on the development of ideas and story lines for a television series, The Lost Mail Bag. This series was never produced, but the concept was eventually purchased and two pilots produced in the form of television movies. Both pilots were shown on ABC, The Letters, on March 6, 1973 and Letters from Three Lovers, on October 3, 1973.

Related Special Collections and Archives Research Collections.

Related research collections found in The Special Collections and Archives of California State University, Northridge include the following:

• Agness M. Underwood Collection, Urban Archives Center
• Gwen Bristow Collection [unprocessed]
• Milton Gieger Papers [transfer inventory]
• NBC Radio Scripts, 1934-1947 [unprocessed]

Related Research Institutions

• American Library of Radio and Television, Thousand Oaks Library,  Thousand Oaks, CA 91362
• Library of American Broadcasting, University of Maryland Libraries, Hornbake Library, College Park, MD 20742
• Museum of Television and Radio, 465 North Beverly Drive, Beverly Hills, CA 90210
• Radio Program Archive, University of Memphis, Memphis, Tennessee 38152
• SPERDVAC (Society to Preserve and Encourage Radio Drama, Variety and Comedy), P.O. Box 7177, Van Nuys, CA 91409-7177
• UCLA Film and Television Archive, 302 E. Melnitz, Box 951323,Los Angeles, CA 90095-1323

Secondary Sources

These sources are available in the University Library's general book collection.

• _______. The Television Writer. New York: Hill and Wang, 1962. [PN1992.7 .B28 AS/RS]
• Armer, Alan A. Writing the Screenplay: TV and Film. Belmont, Calif.: Wadsworth Pub. Co., 1993. [PN1996 .A74]
• Bather, William A. Treasury Star Parade. New York: Farrar & Rhinhart, 1942. [PN6120.R2 T7]
• Baehr, Helen & Dyer, Gillian, editors. Boxed In: Women and Television. New York: Pandora, 1987. [PN1992.8.W65 B6]
• Barnouw, Erik. Handbook of Radio Writing: an Outline of Techniques and Markets in Radio writing in the United States. Boston: Little, Brown and Co., 1950. [PE1479.R2 B3 AS/RS]
• Beauchamp, Cari. Without Lying Down. New York: A Lisa Drew Book/Scribner, 1997.
  [PS3525 .A6549 Z54]
• Blum, Richard A. Television Writing: from Concept to Contract. New York: Hastings House, 1980.  [PN1992.7 .B58]
• Cousin, Michelle. Writing a Television Play. Boston: The Writer, Inc., 1975. [PN1992.7 .C6]
• Dunning, John. On the Air. New York: Oxford University Press, 1998. [REF PN1991.3 .U6 D8]
• Edgar, David...et al. Ah! Mischief: the Writer and Television. London: Faber and Faber, 1982. [PN1992.7 .A35 AS/RS]
• Edmonds, Robert. Scriptwriting for the Audio-Visual Media: Radio, Films, Television, Filmstrips, Slidefiilms. New York: Teachers College Press, 1978. [PN1991.7 .E3]
• Field, Stanley. Television and Radio Writing. Boston: Houghton Mifflin, 1958.  [PN1992.7 .F5 AS/RS]
• Francke, Lizzie. Script Girls: Women Screenwriters in Hollywood. London: British Film Institute, 1994. [PN1995.9 .W6 F675]
• Herbert, Katherine Atwell. Writing Scripts Hollywood Will Love. New York: Allworth Press, 1994. [PN1992.7 .H47]
• Johnson, Mary Charlotte. The Scriptwriter's Journal. Boston: Focal Press, 1995. [PN1996 .J63]
• Lawrence, Jerome, editor. Off Mike: Radio Writing by the Nation's Top Radio Writers. New York:  Essential Books, distributed by Duell, Sloan and Pearce, 1944. [PE1479.R2 L3]
• Long, Rob. Conversations with My Agent. New York: Dutton, 1997. [PN1992.4.L66 A3]
• McCreadie, Marsha. The Women Who Write the Movies: from Frances Marion to Nora Ephron. Secaucus, NJ: Carol Publishing Group, 1994. [PN1996 .M46]
• Seger, Linda. When Women Call the Shots: the Developing Power and Influence of Women in Television and Film. New York: Henry Holt & Co., 1996. [PN1995.9 .W6 S37]
• Stempel, Tom. Storytellers to the Nation. New York: Continuum, 1992. [PN1992.7 .S74]
• Straczynski, J. Michael. The Complete Book of Scriptwriting. Cincinnati, OH: Writer's Digest Books, 1982. [PN1661 .S75]
• Swinson, Arthur. Writing for Television. London: A. & C. Black, 1955. [PN1992.7 .S9 AS/RS]
• Trapnell, Coles and Moser, James E. Teleplay: an Introduction to Television Writing. San Francisco: Chandler Pub. Co., 1966 [PN1992.7 .T7]
• Webber, Jeanette L. and Grumman, Joan, editors. Woman as Writer. Boston: Houghton
  Mifflin, 1978. [PS508.W7 W57 AS/RS]
• Wylie, Max. Radio and Television Writing. New York: Rinehart and Company, Inc., 1958. [PN1991.7 W9]
• Yoakem, Lola Goelet. TV and Screenwriting. Berkeley: University of California Press, 1958. [PN1992.7 .Y62]
  

Content & Series Descriptions

(8 manuscript boxes, 2 oversize boxes)

Series I: Stories, Film Ideas, Scripts

This series contains various manuscripts and manuscript fragments of fiction works and scripts arranged alphabetically by title. Also included are Ms. Klein's notes on ideas and editing for these manuscripts. Some folders also contain newspaper and magazine clippings that were used as research material in preparing the stories. The portfolio material for Samuel Klein contains assorted papers and clippings for works written under that name.

Series II: Television Works

This section includes works that were written expressly for, or adapted to, television. These stories were not designated for any one particular television program or series. In fact, not all the scripts in this section were actually produced. The scripts are arranged alphabetically by title and often include several versions of one story.

Series III: Legal Documents and Contracts

This series consists of various records and correspondence pertaining to the legal aspects of Ms. Klein's career. Included are copies of contracts and receipts of scripts registered with the Screen Writers Guild. There is also a series of correspondence between Ms. Klein and her agent documenting some of the difficulties she experienced in her attempts to sell her work to the studios. These folders in this series are arranged alphabetically by title.

Series IV: Treasury Star Parade Scripts

This section contains scripts that were aired as part of the Treasury Star Parade radio program. Some of the scripts included were actually used by performers during the show's broadcast. The scripts are arranged alphabetically by episode title. In some instances there are original and revised versions of the script as well as the shooting script. The scripts are marked with the broadcast date and include the cast credits for the episode. Some of the scripts in this section are signed by one or more of the actors and include handwritten notes in the margins.

Series V: Camel Caravan

This series consists of scripts for the radio program, Camel Caravan. It is organized alphabetically by episode title and the scripts also include the broadcast date of the performance.

Series VI: Camel Hour

This series contains scripts from another radio program, the Camel Hour. These scripts are also arranged alphabetically by episode title and include the broadcast date of the show. There are various drafts of some of the titles as well as the actual shooting scripts.

Series VII: Lost Mail Bag

This last series is comprised of material related to a proposed television series that Ms. Atkins had tentatively titled, The Lost Mailbag. The folders are arranged alphabetically and include various proposed story lines for episodes of the show. There are copies of the treatment that was sent out to the various studios in the hope of selling them the series. There are also included correspondence and contracts as well as extensive research materials that Ms. Klein drew upon for ideas. The series was never actually produced, but the concept was sold and; eventually, two pilots were aired on ABC in 1973. Both pilots were in the form of television movies, with the first titled, The Letters, and the second titled, Letters from Three Loves.

Box Listing

Series I. Stories, Film Ideas, Scripts.

Box 1. (AS/RS 30700107801101)

• 1-1. Battle Cry. [1 of 5]
• 1-2. Battle Cry. [2 of 5]
• 1-3. Battle Cry.  [3 of 5]
• 1-4. Battle Cry. [4 of 5]
• 1-5. Battle Cry. [5 of 5]
• 1-6. Beautiful Things to Know.
• 1-7. A Case for Counsel. [1 of 4]
• 1-8.  A Case for Counsel. [2 of 4]
• 1-9.  A Case for Counsel. [3 of 4]
• 1-10. A Case for Counsel. [4 of 4]
• 1-11. Dr. Gudane: material character.
• 1-12. A Gentlewoman of Athens.
• 1-13. I Pledge. [1 of 2]
• 1-14. I Pledge. [2 of 2]
• 1-15. It's a Small World. [1 of 4]
• 1-16. It's a Small World." [2 of 4]
• 1-17. It's a Small World. [3 of 4]
• 1-18. It's a Small World. [4 of 4]
• 1-19. Jennifer. [1 of 6]
• 1-20. Jennifer. [2 of 6]
• 1-21. Jennifer. [3 of 6]
• 1-22. Jennifer. [4 of 6]
• 1-23. Jennifer. [5 of 6]
• 1-24. Jennifer. [6 of 6]
• 1-25. Klein, Samuel: portfolio. [1 of 2]
• 1-26. Klein, Samuel: portfolio. [2 of 2]

Box 2. (AS/RS 30700107801093)

• 2-1. Letter from a Dead Man. [1 of 2]
• 2-2. Letter from a Dead Man. [2 of 2]
• 2-3. Lust: correspondence.
• 2-4. Lust: manuscript. [1 of 4]
• 2-5. Lust: manuscript. [2 of 4]
• 2-6. Lust: manuscript. [3 of 4]
• 2-7. Lust: manuscript. [4 of 4]
• 2-8. Lust: manuscript duplicate. [1 of 4]
• 2-9. Lust: manuscript duplicate. [2 of 4]
• 2-10. Lust: manuscript duplicate. [3 of 4]
• 2-11. Lust: manuscript duplicate. [4 of 4]
• 2-12. Lust: original treatment.
• 2-13. Night before the Wedding.
• 2-14. Now Gram Wears Pants.
• 2-15. One Life at a Time: manuscript, draft #1
• 2-16. One Life at a Time: manuscript, draft #1 (copy)
• 2-17. One Life at a Time: manuscript, draft #2 [1 of 3]
• 2-18. One Life at a Time: manuscript, draft #2 [2 of 3]
• 2-19. One Life at a Time: manuscript, draft #2 [3 of 3]
• 2-20. One Life at a Time: manuscript, draft #3 [1 of 4]
• 2-21. One Life at a Time: manuscript, draft #3 [2 of 4]
• 2-22. One Life at a Time: manuscript, draft #3 [3 of 4]
• 2-23. One Life at a Time: manuscript, draft #3 [4 of 4]
• 2-24. One Life at a Time: manuscript fragments. [1 of 2]
• 2-25. One Life at a Time: manuscript fragments. [2 of 2]
• 2-26. One Life at a Time: notes and correspondence.
• 2-27. One Strange and Lovely Day.
• 2-28. Over Here.

Box 3. (AS/RS 30700107801127)

• 3-1. The Photograph. [1 of 3]
• 3-2. The Photograph. [2 of 3]
• 3-3. The Photograph. [3 of 3]
• 3-4. Prelude to Life.
• 3-5. Queens Road: correspondence, 1957; 1961.
• 3-6. Queens Road: manuscript fragments. [1 of 12]
• 3-7. Queens Road: manuscript fragments. [2 of 12]
• 3-8. Queens Road: manuscript fragments. [3 of 12]
• 3-9. Queens Road: manuscript fragments. [4 of 12]
• 3-10. Queens Road: manuscript fragments. [5 of 12]
• 3-11. Queens Road: manuscript fragments. [6 of 12]
• 3-12. Queens Road: manuscript fragments. [7 of 12]
• 3-13. Queens Road: manuscript fragments. [8 of 12]
• 3-14. Queens Road: manuscript fragments. [9 of 12]
• 3-15. Queens Road: manuscript fragments. [10 of 12]
• 3-16. Queens Road: manuscript fragments. [11 of 12]
• 3-17. Queens Road: manuscript fragments. [12 of 12]
• 3-18. Queens Road: notes.
• 3-19. Queens Road: research material, 1938-1939; 1946-1947
• 3-20. Queens Road: research material, Mar. 1948.
• 3-21. Queens Road: research material, Apr. 1948-Dec. 1949.
• 3-22. Queens Road: research material, 1950; 1952.
• 3-23. Queens Road: research material, 1956
• 3-24. Queens Road: research material, 1959-1961; 1967.
• 3-25. Queens Road: research material, n.d.
• 3-26. Roots in the Earth.

Box 4. (AS/RS 30700107801077)

• 4-1. Self-Portrait.
• 4-2. A Time to Remember. [1 of 2]
• 4-3. A Time to Remember. [2 of 2]
• 4-4. Touch of Elegance.
• 4-5. Untitled fragments.
• 4-6. White Hell.

Series II. Television Work.

Box 4. (AS/RS 30700107801077)

• 4-7.  The Belly Laugh of M'sieur Antoine.
• 4-8. Boy in a Cage.
• 4-9. Bright Land.
• 4-10. Five Minutes to Freedom.
• 4-11. A Husband for Esperanza, or, The Six-Months' Visa.
• 4-12. Miracle at Christmas.
• 4-13. Miss Kitty: correspondence.
• 4-14. Miss Kitty: manuscripts.
• 4-15.  Miss Kitty: research material, 1961.
• 4-16. Miss Kitty: research material, Oct. 1962. [1 of 3]
• 4-17. Miss Kitty: research material, Oct. 1962. [2 of 3]
• 4-18. Miss Kitty: research material, Oct. 1962. [3 of 3]
• 4-19. Miss Kitty: research material, Nov.-Dec. 1962. [1 of 3]
• 4-20. Miss Kitty: research material, Nov.-Dec. 1962. [2 of 3]
• 4-21. Miss Kitty: research material, Nov.-Dec. 1962. 3 of 3]
• 4-22. Miss Kitty: research material, 1963.
• 4-23. Pyok-Tong Diary: comments.
• 4-24. Pyok-Tong Diary: manuscripts. [1 of 3]
• 4-25. Pyok-Tong Diary: manuscripts. [2 of 3]
• 4-26. Pyok-Tong Diary: manuscripts. [3 of 3]
• 4-27. Pyok-Tong Diary: script.
• 4-28. Return to Eden. [1 of 4]
• 4-29. Return to Eden. [2 of 4]
• 4-30. Return to Eden. [3 of 4]
• 4-31. Return to Eden. [4 of 4]

Box 5. (AS/RS 30700107801085)

• 5-1. Roamin Holiday.
• 5-2. "Savonarola".
• 5-3.  The Tender Age: first ending.
• 5-4.  The Tender Age: second ending.
• 5-5. The Twister: manuscripts. [1 of 3]
• 5-6. The Twister: manuscripts. [2 of 3]
• 5-7. The Twister: manuscripts. [3 of 3]
• 5-8. The Twister": research material. [1 of 2]
• 5-9. The Twister: research material. [2 of 2]
• 5-10. You are There.

Series III. Legal Documents and Contracts.

Box 5. (AS/RS 30700107801085)

• 5-11. Agreement between Twentieth Century Fox Film Corporation and Violet Atkins.
• 5-12. Correspondence and Records.
• 5-13. Screen Writers Guild Receipts, 1944-1945; 1947.
• 5-14. Writers Television Agreements.

Series IV. The Treasury Star Parade.

Box 5. (AS/RS 30700107801085)

• 5-15. All God's Children.
• 5-16. Balcony Empire.
• 5-17. The Bell of Tarchova.
• 5-18. The Chetniks.
• 5-19. Children, Tomorrow Is Yours!
• 5-20. Diary of a Red Army Woman: original.
• 5-21. Diary of a Red Army Woman: revised (3 copies)
• 5-22. Education for Death.
• 5-23. Education for Life: original.
• 5-24. Education for Life: revised (2 copies)
• 5-25. Education for Victory: original (3 copies)
• 5-26. Education for Victory: revised (3 copies)
• 5-27. Everybody Has to Win this War.
• 5-28. I Escaped from Hong Kong.
• 5-29. "I Got Wings".
• 5-30. I Saw the Lights Go Out in Europe.

Box 6. (AS/RS 30700107801119)

• 6-1. I Speak for the women of America: original.
• 6-2. I Speak for the women of America: revised (2 copies), 31 Mar. 1942.
• 6-3. I Speak for the women of America: revised, 22 Nov. 1942.
• 6-4. I Speak for the women of America: submitted script (2 copies).
• 6-5. Lyudmila Pavlichenko Leaves a Letter to the Future.
• 6-6. Military Objective.
• 6-7. Molly Pitcher - Soldier.
• 6-8. The Murder of Lidice: drafts. [1 of 2]
• 6-9. The Murder of Lidice: drafts. [2 of 2]
• 6-10. The Murder of Lidice: original.
• 6-11. Neighbors of Yours.
• 6-12. No Victory without Sacrifice: original.
• 6-13. No Victory without Sacrifice: revised (2 copies).
• 6-14. Only the Stars are Neutral.
• 6-15. "The Pied Piper".
• 6-16. The Raft.
• 6-17. Record of work and salary.
• 6-18. Return to Berchtesgaden.
• 6-19. Shostakovitch.
• 6-20. Silent Woman.
• 6-21. Sound of an American: original.
• 6-22. Sound of an American: working script.
• 6-23. There's a Nation.
• 6-24. V for Victory (3 copies). [1 of 2]
• 6-25. V for Victory (3 copies). [2 of 2]

Series V. Camel Caravan.

Box 6. (AS/RS 30700107801119)

• 6-26. Afternoon Wedding.
• 6-27. Sunday Morning in Our Town.

Series VI. The Camel Hour.

Box 6. (AS/RS 30700107801119)

• 6-28. Boys I Knew.
• 6-29. Girl You Can't Forget.
• 6-30. Girls I Knew.
• 6-31. I Saw a Parade Today.
• 6-32. Tonight...

Series VII. The Lost Mail Bag.

Box 7. (AS/RS 30700107801051)

• 7-1. An Act of Faith.
• 7-2. Beyond Tears.
• 7-3. Correspondence with Frank M. Atkins.
• 7-4. The Diary. [1 of 2]
• 7-5. The Diary. [2 of 2]
• 7-6. Format. [1 of 3]
• 7-7. Format. [2 of 3]
• 7-8. Format. [3 of 3]
• 7-9. Hand on His Shoulder.
• 7-10. The House that Jack Built.
• 7-11. Legal papers and contracts [Charles H. Rogers Productions], 1952-Mar. 1954.
• 7-12. Legal papers and contracts [Charles H. Rogers Productions], Apr. 1954.
• 7-13. Legal papers and contracts [Charles H. Rogers Productions], May 1954-1956; n.d.
• 7-14. Letter from a Dead Man: old version. [1 of 2]
• 7-15. Letter from a Dead Man: old version. [2 of 2]
• 7-16. Letter from a Dead Man: pilot.
• 7-17. Letter from a Dead Man: scripts. [1 of 3]
• 7-18. Letter from a Dead Man: scripts. [2 of 3]
• 7-19. Letter from a Dead Man: scripts. [3 of 3]
• 7-20. Letter from a Dead Man: second version.
• 7-21. Letter from a Dead Man: star version. [1 of 2]
• 7-22. Letter from a Dead Man: star version. [2 of 2]
• 7-23. Letter from a Dead Man: synopsis.
• 7-24. Letter from a Dead Man: teleplay with narrator. [1 of 2]
• 7-25. Letter from a Dead Man: teleplay with narrator. [2 of 2]
• 7-26. Name on a Marquee. [1 of 2]
• 7-27. Name on a Marquee. [2 of 2]
• 7-28. One Life at a Time.

Box 8. (AS/RS 30700107801069)

• 8-1. Research material, 1935; 1938-1939.
• 8-2. Research material, Mar.-Apr. 1940.
• 8-3. Research material, May 1940.
• 8-4. Research material, June 1940; n.d. 1940.
• 8-5. Research material, 1942; 1944-1946.
• 8-6. Research material, 1947-1948.
• 8-7. Research material, 1949; ca. 1940s; 1950-1951.
• 8-8. Research material, 1952.
• 8-9. Research material, 1953-1954.
• 8-10. Research material, 1960-1961; n.d.
• 8-11. Second Love. [1 of 3]
• 8-12. Second Love. [2 of 3]
• 8-13. Second Love. [3 of 3]
• 8-14. Story lines. [1 of 4]
• 8-15. Story lines. [2 of 4]
• 8-16. Story lines. [3 of 4]
• 8-17. Story lines. [4 of 4]
• 8-18. Waiting for Marty.
• 8-19. Weekend in New York.

Oversize Manuscript Material

Box OV1. (30700108140301)

• OV1-1. Series I. Box 1. Jennifer.
• OV1-2. Series I. Box 1. Klein, Samuel: portfolio. [1 of 2]
• OV1-3. Series I. Box 1. Klein, Samuel; portfolio. [2 of 2]
• OV1-4. Series I. Box 3. Queens Road: research material. [1 of 2]
• OV1-5. Series I. Box 3. Queens Road: research material. [2 of 2]
• OV1-6. Series I. Box 4. Touch of Elegance".
• OV1-7. Series II. Box 4. Miss Kitty: research material. [1 of 2]
• OV1-8. Series II. Box 4. Miss Kitty: research material. [2 of 2]

Box OV2. (30700108140319)

• OV2-1. Series I. Box 1. A Case for Counsel.
• OV2-2. Series II. Box 5. The Twister: research material [1 of 2]
• OV2-3. Series II. Box 5. The Twister: research material [2 of 2]
• OV2-4. Series IV. Box 6. No Victory without Sacrifice".
• OV2-5. Series IV. Box 6. The Murder of Lidice.
• OV2-6. Series VII. Box 8. Research material. [1 of 2]
• OV2-7. Series VII. Box 8. Research material. [2 of 2]

Index to Important Subjects & Personalities.

Index locations refer to Box and Folder numbers where material on a given subject or personality can be found. [Example - is located in Box number / Folder number .]

• An Act of Faith: 7/1
• Afternoon Wedding: 6/26
• All God's Children: 5/15
• Atkins, Frank M.: 7/3
• Balcony Empire: 5/16
• Battle Cry: 1/1-5
• Beautiful Things to Know: 1/6
• The Bell of Tarchova: 5/17
• The Belly Laugh of M'sieur Antoine: 4/7
• Beyond Tears: 4/23-27; 7/2
• Boy in a Cage: 4/8
• Boys I Knew: 6/28
• Bright Land: 4/9
• A Case for Counsel: 1/7-10
• Charles H. Rogers Productions: 7/11-13
• The Chetniks: 5/18
• Children, Tomorrow Is Yours!: 5/19
• The Diary: 7/4-5
• Diary of a Red Army Woman: 5/20-21
• Education for Death: 5/22
• Education for Life: 5/23-24
• Education for Victory: 5/25-26
• Everybody Has to Win this War: 5/27
• Five Minutes to Freedom: 4/10
• A Gentlewoman of Athens: 1/12
• Girl You Can't Forget: 6/29
• Girls I Knew: 6/30
• Gudane, Dr.: 1/11; 3/1-3
• Hand on His Shoulder: 7/9
• The House that Jack Built: 7/10
• A Husband for Esperanza: 4/11
• I Escaped from Hong Kong: 5/28
• I Got Wings: 5/29
• I Pledge: 1/13-14
• I Saw a Parade Today: 6/31
• I Saw the Lights Go Out in Europe: 5/30
• I Speak for the Women of America: 6/1-4
• It's a Small World: 1/15-18
• Jennifer: 1/19-26
• Klein, Samuel: 1/25-26
• Letter from a Dead Man: 2/1-2; 7/14-25
• Lust: 2/3-12
• Lyudmila Pavlichenko Leaves a Letter to the Future: 6/5
• Military Objective: 6/6
• Miracle at Christmas: 4/12
• Miss Kitty: 4/13-22
• Molly Pitcher - Soldier: 6/7
• The Murder of Lidice: 6/8-10
• Name on a Marquee: 7/26-27
• Neighbors of Yours: 6/11
• Night Before the Wedding: 2/13
• No Victory without Sacrifice: 6/12-13
• Now Gram Wears Pants: 2/14
• One Life at a Time: 2/15-26; 7/28
• One Strange and Lovely Day: 2/27
• Only the Stars are Neutral: 6/14
• Over Here: 2/28
• The Photograph: 1/11; 3/1-3
• The Pied Piper: 6/15
• Prelude to Life: 3/4
• Pyok-Tong Diary: 4/24-27; 7/2
• Queens Road: 3/5-25
• The Raft: 6/16
• Red Cross: 1/13-14
• Return to Berchtesgaden: 6/18
• Return to Eden: 4/28-31
• Roamin Holiday: 5/1
• Rogers, Charles H.: 7/11-13
• Roots in the Earth: 3/26
• Savonarola: 5/2
• Screen Writers Guild: 5/13
• Second Love: 8/11-13
• Self-Portrait: 4/1
• Shostakovitch: 6/19
• Silent Woman: 6/20
• Sobel, Jack: 2/3-12; 3/4
• Sound of an American: 6/21-22
• Sunday Morning in Our Town: 6/27
• The Tender Age: 5/3-4
• There's a Nation: 6/23
• A Time to Remember: 4/2-3
• Tomorrow Will Be Brighter: 4/9
• Tonight...: 6/32
• Touch of Elegance: 4/4
• Twentieth Century Fox Film Corporation: 5/11
• The Twister: 5/5-9
• V for Victory: 6/24-25
• Waiting for Marty: 8/18
• Weekend in New York: 8/19
• White Hell: 4/6
• You Are There: 5/10