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Peek in the Stacks

Detail of the marbled endpapers from The Castle of Otranto, PR3757.W2 C3 1786

The Castle of Otranto, published on Christmas Eve 1764, launched the Gothic novel genre. Horace Walpole initially issued the work under a pseudonym and claimed it was a translation of a found Italian medieval tale. However, after the novel was well received, Walpole revealed that he was the true author in the second edition published in 1765.

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Detail of cover illustration from Weird Tales Volume 29, Number 1, "Children of the Bat"

The cover of Margaret Brundage’s Weird Tales: Satan’s Palimpsest  greets the reader with a nude blonde, seemingly excited to invite the bat-like Satan into her boudoir. Similarly, Margaret Brundage’s Weird Tales: Children of the Bat cover greets the reader with another nude blonde—this one half-bat with breasts and chained by another bat, who seems to be half-human as well. Through the covers' portrayal of hyper-sexualized, imprisoned women and bats as their captors, the Weird Tales pulp art combines both the scariness and seduction of the Gothic monster, which represents the Other in U.S. culture. 

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Detail image from the cover of The Fold-Away Doll House and Play Book of Cut-Out Furniture, TT174.5.P3 F6 1949

Special Collections & Archives holds numerous interactive books for children including a range of paper dolls, a dollhouse, and more. Here we highlight three selections ranging from an 1810 publication that is lesson-based to a play-based interactive dollhouse published in 1949. 

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Cover of Detective Comics: Batman Robin and Batgirl “Challenge of the Man-Bat!” Issue #400

Written by Frank Robbins, Batman issue number 400, Challenge of the Man-Bat1, was published in June of 1970 after a paradigmatic shift in U.S. comics censorship history. Challenge of the Man-Bat was published a decade and a half after the creation of The Comics Code Authority in 1954, which regulated or censored comic book content.

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