Peek in the Stacks: united states

When passage of the 18th Amendment in 1919 ushered in the era of Prohibition in the United States, an English bartender named Harry Craddock, who had mixed drinks at the Hollenden Hotel in Cleveland, OH and the Knickerbocker Hotel in New York City, left the US and returned to the UK so he continue working in his chosen profession...  

Special Collections & Archives houses a limited edition of Frankenstein that was published in 1984 by Barry Moser’s Pennyroyal Press. With only 350 copies ever printed, this version of Frankenstein is quarter bound with leather and features Barry Moser’s vivid woodcuts alongside Shelley’s original 1818 text. Included with the book is a portfolio....

The work of Ursula K. Le Guin (1929-2018), despite being mostly in the genres of science fiction and fantasy, very much expresses real world concerns. One of these issues is food: who has it and who doesn’t, the environmental impact of its use and production, and, as is fitting for an author who was the child of two anthropologists, the traditions surrounding its consumption.

The cover of Margaret Brundage’s Weird Tales: Satan’s Palimpsest  greets the reader with a nude blonde, seemingly excited to invite the bat-like Satan into her boudoir. Similarly, Margaret Brundage’s Weird Tales: Children of the Bat cover greets the reader with another nude blonde—this one half-bat with breasts and chained by another bat, who seems to be half-human as well. Through the covers' portrayal of hyper-sexualized, imprisoned women and bats as their captors, the Weird Tales pulp art combines both the scariness and seduction of the Gothic monster, which represents the Other in U.S. culture.